Understanding identity as features that differentiate one thing from another, Urban Scenographies acts as a compiler of urban-architectural objects of a site, to reinterpret it and create scenarios through the mixture, exaggeration, evidence, elimination, abstraction and simplifi cation of these and in some cases with the incersion of new ones.
Normally the identity of cities is associated with people, culture, religion, architecture, landscape, leisure, language, color, art, performance, etc. But what happens when these objects are altered or invented? Does the place still have identity? Maybe, through the urban elements that are part of the site.
Paris_A mixture based on elevations and a false perspective of the typical haussmannian architecture of Paris, with its passages in the form of elegant stairs (exaggerated in this case) and the incersion of a timeless element within the classic image.
London_Sometimes the street becomes the market and others, the street hides the market leaving to discover after crossing a wall. In this image the two scenes are mixed in one.
We could understand urban elements such as buildings, furniture, monuments, installations, natural accidents, topographies, landscapes and everything that contains a living space, with which we work to achieve a series of images that reflect and highlight different topics and urban characteristics in a timelessness.
Currently the rapid growth of cities and change in societies, requires the adaptation of historical contexts to current needs, so, in some cases are uncertain timeless objects trying not to affect the aesthetic image in a forceful but harmonious way. Taking as a starting point the public space as an element of identity that functions as the almost unique scenario of convergence and exchange between the inhabitants of the contemporary individualist societies.
Lausanne Territory_In this section of perspective, the urban condition of Lausanne is expressed with an irregular topography full of buildings that do not touch each other, where the city takes advantage to have an urban planning overlooking the lake.
The images are created under a personal perception, through a window with a set and order of elements in second dimension in form of elevations, sections, perspectives, axonometric and the mixture between them, altering classic and renaissance rules of these graphic representations, starting from analogous techniques and ending in digital results.
Milano_In this mixture of perspective and elevation, the classic and the modern of the city are integrated through an urban passage that connects with the old of the city.. (bottom)